Alann glynn — the dark fields
IT’S GETTING LATE.
I don’t have too sharp a sense of time any more, but I know it must be after eleven, and maybe even getting on for midnight. I’m reluctant to look at my watch,
though – because that will only remind me of how little time I have left.
In any case, it’s getting late.
And it’s quiet. Apart from the ice-machine humming outside my door and the occasional car passing by on the highway, I can’t actually hear a thing – no traffic, or
sirens, or music, or local people talking, or animals making weird nightcalls to each other, if that’s what animals do. Nothing. No sounds at all. It’s eerie, and I don’t
really like it. So maybe I shouldn’t have come all the way up here. Maybe I should have just stayed in the city, and let the time-lapse flicker of the lights short-circuit my
now preternatural attention span, let the relentless bustle and noise wear me down and burn up all this energy I’ve got pumping through my system. But if I hadn’t come
up here to Vermont, to this motel – to the Northview Motor Lodge – where would I have stayed? I couldn’t very well have inflicted my little mushroom-cloud of woes
on any of my friends, so I guess I had no option but to do what I did – get in a car and leave the city, drive hundreds of miles up here to this quiet, empty part of the
And to this quiet, empty motel room, with its three different but equally busy décor patterns – carpet, wallpaper, blankets – vying, screaming, for my attention – to
say nothing of the shopping-mall artwork everywhere, the snowy mountain scene over the bed, the Sunflowers reproduction by the door.
I am sitting in a wicker armchair in a Vermont motel room, everything unfamiliar to me. I’ve got a laptop computer balanced on my knees and a bottle of Jack
Daniel’s on the floor beside me. I’m facing the TV set, which is bolted to the wall in the corner, and is switched on, tuned to CNN, but with the sound turned right
down. There is a panel of commentators on the screen – national security advisers, Washington correspondents, foreign policy experts – and although I can’t hear them,
I know what they’re talking about … they’re talking about the situation, the crisis, they’re talking about Mexico.
Finally – giving in – I look at my watch.
I can’t believe that it’s been nearly twelve hours already. In a while, of course, it will be fifteen hours, and then twenty hours, and then a whole day. What happened
in Manhattan this morning is receding, slipping back along all those countless, small-town Main Streets, and along all those miles of highway, hurtling backwards through
time, and at what feels like an unnaturally rapid pace. But it is also beginning to break up under the immense pressure, beginning to crack and fragment into separate
shards of memory – while simultaneously remaining, of course, in some kind of a suspended, inescapable present tense, set hard, unbreakable … more real and alive
than anything I can see around me here in this motel room.
I look at my watch again.
The thought of what happened sets my heart pounding, and audibly, as if it’s panicking in there and will shortly be forcing its way, thrashing and flailing, out of my
chest. But at least my head hasn’t started pounding. That will come, I know, sooner or later – the intense pin-prick behind the eyeballs spreading out into an
excruciating, skull-wide agony. But at least it hasn’t started yet.
Clearly, though, time is running out.
So how do I begin this?